Coupled with the effects on endorphins, music seems to make us feel good and connect with others, perhaps particularly when we make music ourselves.īut music is more than just a common pleasure. Music has also been linked to dopamine release, involved in regulating mood and craving behavior, which seems to predict music’s ability to bring us pleasure. This suggested to the researchers that endorphins produced in singing can act to draw large groups together quickly. The researchers found that both choir groups increased their pain threshold levels after singing however, the larger group experienced bigger changes in social closeness after singing than the smaller group. In another study, researchers compared the effects of singing together in a small choir (20-80 people) versus a larger choir (232 people) on measures of closeness and on pain thresholds.
In addition, the performance of music resulted in greater positive emotion, suggesting one pathway through which people feel closer to one another when playing music together is through endorphin release. In one study, researchers found that performing music-through singing, drumming, and dancing-all resulted in participants having higher pain thresholds (a proxy measure for increased endorphin release in the brain) in comparison to listening to music alone. Now new research suggests that playing music or singing together may be particularly potent in bringing about social closeness through the release of endorphins. Listening to music and singing together has been shown in several studies to directly impact neuro-chemicals in the brain, many of which play a role in closeness and connection. More importantly, the song’s ubiquitous nature emphasizes the importance of unity once people are united to fight against injustice, their created passion and strength can never be extinguished.From the GGSC to your bookshelf: 30 science-backed tools for well-being. Heard from rallies from 19th century Paris in the fictional “Les Miserable” to today’s real-world protests in locations like Hong Kong and the United States, the lyrics of “Do You Hear the People Sing?” illustrate the key importance of protests: raising the voices of suppressed people who have been silenced. Ultimately, “Do You Hear the People Sing” is the quintessential chorus for protests, even beyond the bright lights of a Broadway stage. By taking to the streets and shouting their voices, they stand up to wrongful powers and advocate for change that betters society. Since one keystone of democratic society is the freedom to protest, the mention of the “right to be free” in “Do You Hear the People Sing?” shows that protestors, by nature, are fulfilling a societal responsibility. Then join in the fight that will give you These lines help illuminate that the power of these protests lies in how many people participate, as more followers form a collectively stronger force. In addition to this declaration of demands, part of the song is also a call to action, a rallying cry for everyone who has experienced persecution. Since these activists usually face a much more powerful opponent, the song demonstrates how a movement’s success requires an active pulse, much like the one that runs through our bodies. Moreover, the chorus also illustrates the emotional intensity of protesting: the people have to rise so that they “will not be slaves again” to the injustice they experience.
Who sang power to the people free#
The chorus, which appears three times throughout the chant, depicts that the revolt stems from the need to permanently break free from chains of oppression. With “Do You Hear the People Sing?” being heard in these two events and many others across the world, a question arises as to why the anthem so often appears in these real-life demonstrations. These protests have seen massive amounts of Hongkongers - sometimes numbering in the millions - rally together against a much more powerful China. This legislation was seen by many as another attempt from the Communist Party of China to assert dominance in the supposedly free territory. Eight years later, the song found a home in Hong Kong, a city-state designated as a special administrative region of China that has recently been turned upside down by sweeping, large-scale protests against a proposed extradition law.
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